Additional installation and performance work can been seen at automaticelease.orgPlease contact me with questions or requests for additional information.

All Over Everywhere, 2020-21

Live broadcast cine-performance, MITU580
Conjuring a live cine-performance through the interplay of otherwordly video, reactive sound, intoned words, movement and technology, All Over Everywhere is a hymn to the natural world and a response to the anxieties and losses of the past year. All Over Everywhere was performed live on May 21 and 22, 2021 and simultaneously broadcast on Twitch.

TOOLS: real-time broadcast, Isadora, Adobe Premiere, interactive lighting, Projection Mapping

Why Why Always, 2017

Live cine-performance, Abrons Arts Center

Why Why Always is an interdisciplinary performance, which embraces a dynamic interplay between theater, dance, installation art, and technology by integrating live performers, multi-screen video, live-feed cameras, fabricated environments and a vibrant tapestry of sound.

TOOLS: Isadora, Adobe Premiere, openFrameworks, Physical Computing, Projection Mapping


Keep Your Electric Eye On Me, 2014-17

multimedia live performance, 70 minutes
Part live performance, video installation, and interactive media lab, Keep Your Electric Eye On Me is an interwoven exploration of transformation, dual realities, hysteria, and the desire for the unattainable. Throughout this disturbing and atmospheric work, a multifaceted narrative reverberates through choreographed movement, spoken text, multi-screen projections, sensors and live-feed cameras. In this high-tech/lo-tech world, complex sonic vistas and spectral mirages meld, collide and shimmer.

TOOLS: Isadora, Final Cut Pro, Projection Mapping

Atmospheres & Accidental Ghosts, 2012-2019

Two-channel, self-generating video installation, New York Electronic Arts Festival

Atmospheres & Accidental Ghosts is an episodic, multi-channel video and sound installation, which randomly reconfigures and activates a perpetually shifting selection of media drawn from the artists' work and obsessions.

TOOLS: Isadora, Final Cut Pro, Projection Mapping

the horror the horror (i have plenty of energy to drive over there), 2011

interactive media installation with dance/performance, 45 minutes
the horror the horror (I have plenty of energy to drive over there) is a largely improvised live video, sound and performance spectacle, which engages notions of loss, memory, eroticism and rage. the horror the horror conjures a slowed down realm of breathing, watching, and dreaming, a world of literal and internal reflection, using multiple large scale video projections, surround sound audio, escalating feedback, live cameras and a dancer to spin a gothic meditation on American pop culture and the personal obsessions of madmen.

TOOLS: Isadora, Final Cut Pro, Projection Mapping